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“In many ways, Leon Rosselson is the embodiment of the original ideals of punk rock. His hair isn't spiky, but his music is, using fearless wit and political integrity to highlight the hypocrisies of those in power. Alone among the great British songwriters of the past sixty years, Leon has sought to make art that stays true to Karl Marx's demand that we should concern ourselves with the ruthless criticism of all that exists.”
—Billy Bragg
“Rosselson remains fearless. He provides something that the world is in dire need of currently—dissent that seeks dialogue versus greater division and disconnection.”
—Ian Brennan, Grammy-winning music producer and author, Silenced by Sound and Muse-Sick: a music manifesto in fifty-nine notes
“Rosselson's rich experience is the basis for profound insights on many themes central to an appraisal of the twentieth century and the beginning of the twenty-first. From folk music and songwriting to communism and anti-semitism, from protest and demonstration to rancorous political debate, Rosselson weighs in, not as an observer, but as a participant. His is the testimony of an engaged artist dedicated to his craft and the struggle against suffering and injustice. Anyone interested in music, England, Jewish identity in opposition to Zionism, critical takes on Bob Dylan and Leonard Cohen, or Jesus and Judas Iscariot, this book is for you. And lest it be forgotten in the breadth of its subject matter, Where Are the Elephants? is exemplary as autobiography: the sharing of a full life with grace and humility.”
—Mat Callahan, musician and author of Working-Class Heroes: A History of Struggle in Song
“His songs are teeming with colorful characters, wonderfully descriptive passages and witty observations.”
—Washington Post
“Proof that the art of songwriting is not dead. Occasionally, acid flows from his pen but always the end-product is thoughtful, witty and provocative.”
—Sheffield Telegraph
“His songs are fierce, funny, cynical, outraged, blasphemous, challenging and anarchic. And the tunes are good too.”
—Guardian
“Some of the most literate and well-made topical songs now being written.”
—New York Times
“With dazzling lyrical technique, deftly woven inter-rhymes, a powerful understanding of image, irony and narrative verse, he paints vivid portraits of sadly displaced lives, fools in high places, the absurdities and occasional graces of modern life.”
—Boston Globe
“To write a literate critique of late capitalism is not easy. To do it in metre and rhyme, with wit and a memorable melody is quite an accomplishment. To do this again and again is a remarkable achievement. Leon Rosselson has managed it consistently for 40 years and has created a remarkable body of work.”
—Songlines
“Leon Rosselson—a man who you’d not be far wrong in calling the Musical Conscience of the Nation.”
—Living Traditions
“A key role of protest music through the ages has always been to provide a chronicle of the times we live in, the histories from where we carve out the present and futures we might dream about. Leon Rosselson is without much doubt the most important singer of this tradition in Britain.”
—Mark Perryman, Philosophy Football
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