Each episode of After Ayotzinapa features an evocative original illustration by artist Dante Aguilera, who lives in Culiacán, Mexico. For Aguilera, creating the art for After Ayotzinapa was emotional. For years, he has collaborated on art projects with families whose children have disappeared. Since 2006, over 90,000 people have disappeared in Mexico, often as a result of violence related to the drug trade.
How did you feel about being involved in this project?
For me, it has always been a contrast of emotions working on these difficult topics. One part of me feels that it’s very important that this kind of journalistic work exists, and I’m proud to be able to be part of it. The other feeling is more powerful: I wish it didn’t have to exist, that it was not necessary to make these drawings and that the students and the tens of thousands of other disappeared Mexicans were still safe in their homes.
What emotions were you processing while making these illustrations?
The emotional process is always heavy. I have spent more than 10 years making art by hand with social movements in my city and country. Since 2018, I have collaborated with collectives of mothers with disappeared children here in Sinaloa. Sadness and pain is something that you have to learn to survive, to embrace the feeling and try to transform it. Art has always helped me do that.
What feelings did you try to capture in your illustrations for this series?
What I wanted to convey with this series of illustrations is that behind such a dark event, there is always a counter movement full of hope and dignity, a rebellious dignity, that slowly advances, like a tortoise. I wanted to convey the dignity with the deep and direct looks of the protagonists and hope with the colors, beginning the series at night and ending in the day, in light and vivid colors.
See Dante Aguilera’s illustrations for the After Ayotzinapa series here. You can also follow him on Instagram: @el_dante_aguilera.
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