Twenty-five paintings by Helen Zughaib accompanied by text based on favorite stories told by her father about life in Syria and Lebanon in the 1930s and during World War II.

Helen's father, Elia, was born in the Old Quarter of Damascus during Ottoman times, when Le Grande Syrie included the lands that are now demarked as Syria and Lebanon. His father and mother, first cousins in an arranged marriage, were from the villages of Zahle and Durer Shweir in the Lebanese mountains.

"Let me tell you a story," Helen Zughaib's father used to say. What followed were absorbing tales of her father's childhood in Damascus, village life in Lebanon in the late 1930s, amusing relatives, happenings in their local Greek Orthodox Church and major events in her father's young life that led him to emigrate to the United States in 1946.

Helen Zughaib is an award-winning artist who has developed a distinctive technique working in gouache and ink. She was born in Beirut and educated in the Middle East, Paris, and the U.S. She is currently based in Washington.

Her work has been widely exhibited in galleries and museums in the United States, Europe and Lebanon. Her paintings are included in many private and public collections, including the White House, World Bank, Library of Congress, U.S. Consulate General, Vancouver, Canada, American Embassy in Baghdad, Iraq, and the Arab American National Museum in Detroit, Michigan. Her paintings are included in the DC Art Bank Collection and she has received the DC Commission on the Arts and Humanities Fellowship award in 2015, 2016, 2017 2018 and 2019. Her paintings have been included in Art in Embassy State Department exhibitions abroad, including Brunei, Nicaragua, Mauritius, Iraq, Belgium, Lebanon and Saudi Arabia. Helen has served as Cultural Envoy to Palestine, Switzerland and Saudi Arabia. Her paintings have been gifted to heads of state by President Obama and former Secretary of State, Hillary Clinton. 

Zughaib uses folkloric elements and a wide variety of other visual references to express the life and outlook of her family, the village community of her father's young adult life, and her position as an international woman with special insight and empathy for the Middle East and its people.

Critics note the parallels between Zughaib's work as an artist with Arab roots to the art of contemporary "Native, Latin, and African American communities." (Maymanah Farhat)