Smiles
In case you ever forget how truly great the Rolling Stones are/were, the band continues to create and perform new music, release content from its archives, and a slew of documentaries have been produced that are designed to illuminate the band.
Recently, I’ve watched two of them, both produced in 2019. Interestingly, in these films the focus is on sidemen Bill Wyman and Ron Wood, not the typical Mick and Keith story.
“The Quiet One,” is the story of Stones’ bass guitarist Bill Wyman, who meticulously kept an exhaustive archive of everything he did with the Stones during his time as a founder of the band in 1962 until his retirement in ’93. It’s a really cool film that dips into Wyman’s archive: film, video, audio, memorabilia, etc.
This weekend I watched “Somebody Up There Likes Me,” a documentary by director Mike Figgis about Stones’ guitarist Ronnie Wood. Many are quick to dismiss Wood as the Stones’ “third guitar” partner to Keith Richards.
Brian Jones, an original Stone, had massive influence on the band and was its early star until he burned out and drowned at the bottom of a swimming pool in 1969. Mick Taylor, who replaced Jones, performed on the Stones’ seminal early 70s records, “Let It Bleed,” “Sticky Fingers,” and “Exile on Main Street.
In a way, “Somebody Up There Likes Me” is a necessary addition to the body of work about the Rolling Stones because it underscores what a force Ron Wood truly is, and what he means to the band. The film features this clip of the Stones performing in ’78 and I can’t stop watching (and listening to) the interplay between Wood and Richards as they trade licks and fuse their guitars into a seamless, blistering force. Oh, and Mick, Charlie (rest his soul) and Wyman are not bad either. Turn this up LOUD.
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