Broadway reopens after its COVID break, HIP explores social change dynamics at its conference, and a new theory of power focused on forms.

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** Race + Power Weekly
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This week’s Race + Power newsletter reflects the continuing challenge to anti-Blackness and the resulting evolution of forms this entails. Our latest Tiny Spark podcast celebrates last week’s reopening of Broadway by speaking with people of color in the industry about what has changed during the pause that COVID brought. Steve Dubb offers us a glimpse of how Hispanics in Philanthropy is addressing anti-Blackness in Latinx communities. We offer Cyndi Suarez’s article on the power of forms, from our archives. Finally, we share a link to a book review for A Black Gaze: Artists Changing How We See.


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Tiny Spark
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Broadway’s Break: A Deep Breath for the Industry? ([link removed])
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As Broadway returns, theater professionals share how they dealt with the COVID break, and what improvements they hope will make the theater a more equitable space. Listen and read… ([link removed])

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Latinx Conference Grapples with the Economy, Race, and the Politics of Change ([link removed])
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At its annual conference, Hispanics in Philanthropy explores the dynamics of social change—and the need for confronting anti-Black racism within the Latinx community. Read more… ([link removed])
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Forms: A New Theory of Power ([link removed])
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“The concept of forms is universal and elegant. It allows us to talk about a lot of things in a coherent and strategic way. And it gives us a more nuanced way to talk about systems.” Read more… ([link removed])

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Nonprofit fundraising is rapidly evolving. This guide will explain the changes fundraisers and nonprofit leaders need to make now to adapt their strategy for success.
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How Black Artists Are Shaping a Distinctly Black Gaze ([link removed])
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“A group of Black fine artists are initiating a different and, I would argue, more transformative cultural, aesthetic, and indeed, political shift that is drawing unprecedented attention. They are shifting the very nature of our interactions with the visual through their creation and quite literal curation of a distinctively Black gaze.” Read more… ([link removed])

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