Smiles
"Noontime, and I'm still on the road on the darkest part / Into the narrow lanes, I can't stumble or stay put / Someone else is speakin' with my mouth, but I'm listening only to my heart / I've made shoes for everyone, even you, while I still go barefoot…"
I’m not going to move away from this new Dylan collection anytime soon. It’s astonishingly great. Produced by Dire Straits’ Mark Knopfler, Dylan’s 22nd studio album “Infidels” is known to Dylanologists as the bard’s return to secular music with lukewarm critical response at best. It’s also known, and I won’t bore you with the expansive Dylanology here, for all of the material that was left off the album—most notably the song “Blind Willie McTell.”
The band Dylan and Knopfler assembled for "Infidels" proved a strange brew as well. In addition to Dylan and Knopfler on guitar, Rolling Stones guitarist Mick Taylor plays slide, and the reggae rhythm section of Sly and Robbie rounded out the group.
Side two of "Infidels," track three is the reggae tinged “I and I.” The phrase "I and I" comes from Rastafarian vocabulary and refers to the "oneness" between God and humans. Some of Dylan’s fans thought the song a masterpiece, others contrived. I never thought much about it. Either way, until now, no one has heard the alternate version contained on last weekend’s release of “Springtime in New York: the Bootleg Series Vol. 16, 1980-1985.” From the second I heard it, I just knew, this version of “I and I” would be one of my favorite Dylan tunes of all. I’m not kidding. youtu.be/AT4l9LhmeWI
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