From Portside Culture <[email protected]>
Subject ‘I’m A Black Lesbian Woman’: Sam Jay Looks To Disrupt Late-Night TV Comedy
Date May 24, 2021 12:00 AM
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[The stand-up and SNL writer takes on one of the least diverse
genres of entertainment with the aim to drink, have a good group hang
and provoke discomfort] [[link removed]]


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Adrian Horton
May 20, 2021
The Guardian
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_ The stand-up and SNL writer takes on one of the least diverse
genres of entertainment with the aim to drink, have a good group hang
and provoke discomfort _

‘I hope that there is enough honesty, vulnerability, and genuine
good intent in it that everyone can find something for themselves’
... Sam Jay, Photograph: HBO


When Sam Jay got a deal with HBO
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clear on what Pause, her six-episode, half-hour series premiering this
Friday, would not include: no desk and no straight-to-camera
monologue. Those staples of late-night television, one of the most
consistent – and consistently white, straight and male – genres in
television, were “just a little too contrived for me”, Jay told
the Guardian.

“It’s not how conversations happen. It’s not how people meet
each other. And it’s not how friends talk to one another – you
don’t talk to your friend from a desk, it’s just not real.”

Instead, Jay, a black lesbian comedian who grew up in and around the
projects of Boston, wanted something looser, freer, more reflective of
the actual late-night conversations she’d have with friends over
drinks in her New York apartment. She wanted a kickback, the type of
freewheeling group hang desperately scarce during the past year of
lockdowns. Gregarious, with barreling energy best showcased by her
2020 Netflix special 3 in the Morning, Jay loves to host people,
testing new material through good-natured, blunt provocation. Why not
let the cameras lurk?

Jay is part of a wave of incoming late-night hosts aiming to rumble
one of the firmest, most concretely white institutions in
entertainment, after the premieres of That Damn Michael Che, the
sketch variety series hosted by SNL’s head writer, and Showtime’s
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the cable vehicle for Ziwe Fumudoh’s viral Instagram Live series
Baited. But whereas Che can be flippant (and vindictive to critics
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and Ziwe inhabits a provocative persona – a Colbert Report-type
satire for irony-poisoned Gen Z – Jay approaches Pause with an
open-hearted, if uncompromising, curiosity.

The aim for Pause, co-created with Insecure showrunner Prentice Penny,
is “to bring a different conversation to the space, and a different
voice to the space”, said Jay, herself an off-and-on watcher of John
Oliver, Bill Maher, and the Daily Show with Trevor Noah. “The
conversations have kinda become a little repetitive, and I also
don’t know, sometimes, who the fuck they’re even talking to,”
she added. “I hate to say it that way, but that’s kinda how I feel
sometimes, like who is this for, exactly? Because it’s not for any
of my friends.”

“I don’t know anyone who grew up where I grew up, who’s watching
some of this stuff and being like, ‘Yo, wow, Fifa don’t, like, pay
taxes and so that’s why you shouldn’t buy soccer balls,’” she
joked. “I don’t know, man, I just want to make something that
connected to me and it felt like it connected to people I know.”

The premiere episode (the only one made available in advance) rolls
from a group-hang back-and-forth about black people judging other
black people for selling out to white culture – AKA “cooning,”
one of the most offensive black stereotypes, defined in a title card
as “exploiting one’s own community for personal gain or acceptance
from a dominant culture” (worth noting: white people are the
minority in this room) – to an interview with two self-proclaimed
“pro-black conservatives” to riffs on cultural appropriation that
dings self-righteous Twitter overreactions as much as the offenders

In an entertainment world that fetishizes youth and obsessively chases
internet novelty – see: Jimmy Fallon’s cringeworthy dance
challenge with TikToker Addison Rae on the Tonight Show (which drew
criticism for not crediting black creators of the viral dances) –
Jay, at 39, is a relatively late-bloomer to mainstream attention. She
took a circuitous route to comedy, spending most of her 20s in retail
service jobs in Atlanta and Boston – Starbucks and Best Buy, after a
brief stint in community college – before pursuing standup at 29.
She worked her way through Boston’s comedy scene and, after drawing
attention at Montreal’s famed Just For Laughs festival, joined
SNL’s hallowed writing staff in 2017, penning skits for such hosts
as Eddie Murphy and Kenan Thompson’s running segment Black Jeopardy
over the course of three years.

“My age offers me a lot of patience,” Jay said of entering comedy
relatively late in the game. “I’ve had a lot of life experiences,
so I think it also allows me to go into spaces that people wouldn’t
necessarily go into and be more understanding and more

[A still from Pause with Sam Jay]

 Photograph: HBO

It also makes one less beholden to outside opinion; “You can’t
just be up there for them,” she told the New York Times
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audiences last year, “because once they control you, they will lead
you anywhere.” But she does think about who’s watching, to a
degree. “I know it’s something I absolutely can’t control, and
so there’s a part of me that’s like, just make the show you
believe in, and let the chips fall where they may,” she said. But
she hopes the friends she grew up with “turn it on on Friday night,
and go, ‘Nah, this is some real shit, I connect to it, it makes
sense to me,’ and that they don’t feel ostracized by it in any

Asked if she ever thought, specifically, about reception by white
audiences, Jay answered “I don’t think of it in the specificity of
white people. I do think about it in the sense of, I want a multitude
of people to be able to watch this and connect to it. But I am going
to approach things from a center that is real to me, and I’m a black
lesbian woman. It is a little of a worldview through my lens, but I
hope that there is enough honesty, vulnerability, and genuine good
intent in it that everyone can find something for themselves.”

Still, Pause is “not one of those shows where it’s like ‘oh,
I’m going to go talk to the KKK and then we’re gonna eat apple pie
and you’re gonna see that we’re the same we both like apple
pie,’” she said. “That’s not the goal here.” Candace Owens,
the black conservative provocateur who inevitably comes up in the
premiere, will not be on the guest list. “Because again, intent
matters,” Jay said.

Jay’s interview style is less gotcha than open to surprise detours;
the segment with the two twentysomething conservatives concludes with
a personal revelation and a group hug. Asked about concerns that she
didn’t press hard enough on the guests, who supported Donald Trump
for president, Jay deferred. “I’m a person who’s legitimately
interested in people – why they think the way they think, and what
walks of life did they go through to get where they are,” she said.
“And it felt shitty to me to invite people on the show and be mean
to them. And to trick them or make them look stupid or have an

To that end, future episodes will tackle thorny, minefield-laden
topics such as money, celebrity culture, childlessness, and a theme
she described as “freedom freak – letting people just be who the
fuck they are, and why we have this huge need to box people in.”

In the final minutes of the premiere, Jay presents a thesis statement
of sorts: “intent matters,” by which she means an earned benefit
of the doubt – “when you see a person who’s not like you, give
them some grace.”

“I do think we’re forgetting that in all this yelling and
infighting and arguing and standing off in our corners,” she said.
“People’s intentions matter in who they and why they’re doing
things and why they’re saying things and what’s actually behind

“It’s more important than the words that’s coming out of their
mouths sometimes. I wanted to create a space for a dialogue that I
just wasn’t seeing.”

Pause with Sam Jay starts on HBO on 21 May with a UK date to be

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