| From | Union City <[email protected]> |
| Subject | DC LaborFest PLUS: The Chambermaid |
| Date | May 13, 2021 7:35 PM |
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THE CHAMBERMAID [LA CAMARISTA]
MISS MARX
WORKERS UNITE! FILM FESTIVAL 2021
IDA B. WELLS: A PASSION FOR JUSTICE
THE LUNCHROOM [PLANTA PERMANENTE]
WORK SONGS
2021 DC Labor FilmFest: The Chambermaid opens today!
"The Chambermaid," Lila Avilés's quietly stunning debut feature, is a work of closely observed workplace realism, but at times it achieves the strangeness and intensity of science fiction. The camera never leaves the high-rise Mexico City hotel where the title character is employed, and in spite of spectacular views from the picture windows, the building can feel as claustrophobic and isolated as a space station drifting in a distant galaxy. Read the rest of the NYT review [link removed] here and [link removed]]=true click here to get your ticket! [link removed]]=true [link removed]
LGTTM Movie Club Discussion: Join the conversation tonight about this week's DC Labor FilmFest movies -- Miss Marx and The Chambermaid -- or any of those already released (all still available in the AFI's [link removed] DC Labor FilmFest Virtual Screening Room), at the [link removed] Labor Goes to the Movies podcast Movie Club discussion, Thursday night at 7p ET; [link removed] click here to RSVP.
Chris Garlock, Director, DC Labor FilmFest
[link removed]
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THE CHAMBERMAID [LA CAMARISTA]
Available May 13-June 6 - [link removed] Tickets $5
Watch anytime starting 5/13 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
In her multi-award-winning feature debut, theater director Lila Avilés turns the monotonous workday of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film rich with detail. Set entirely in an alienating hotel environment with extended scenes taking place in the guest rooms, hallways and cleaning facilities, this minimalist-yet-sumptuous movie brings to the fore Eve's hopes, dreams and desires. As with Alfonso Cuarón's ROMA, which is set in the same city, THE CHAMBERMAID salutes the invisible women caretakers who are the hardworking backbone of society. Winner, Best First Feature, 2019 Ariel Awards; Winner, Best First Work, 2019 Havana Film Festival; Winner, Jury Prize, 2018 Marrakech International Film Festival; Winner, Best Mexican Feature Film, 2018 Morelia International Film Festival; Winner, Cine Latino Award, 2018 Palm Springs International Film Festival; Winner, Best New Director, 2018 Portland International Film Festival; Winner, Golden Gate Award, 2018 San Francisco International Film Festival; Official Selection, 2018 San Sebastián, Toronto, London and AFI FEST film festivals; 2019 New Directors/New Films and AFI Latin American Film Festival. DIR/SCR/PROD Lila Avilés; SCR Juan Carlos Marquéz; PROD Tatiana Graullera. Mexico/U.S., 2018, color, 102 min. In Spanish with English subtitles. NOT RATED
[link removed]
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MISS MARX
Available May 11-June 6 - [link removed] Tickets $5
Watch anytime starting 5/11 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Bright, intelligent, passionate and free, Eleanor (Romola Garai) is Karl Marx's youngest daughter. Among the first women to link the themes of feminism and socialism, she takes part in the workers' battles and fights for women's rights and the abolition of child labor. In 1883, she meets Edward Aveling (Patrick Kennedy) and her life is crushed by a passionate, but tragic, love story. (Note adapted from Celluloid Dreams.) Winner, FEDIC Award for Best Film, 2020 Venice Film Festival. DIR/SCR Susanna Nicchiarelli; PROD Marta Donzelli, Gregorio Paonessa. Italy/Belgium, 2020, color, 107 min. In English. NOT RATED
[link removed]
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WORKERS UNITE! FILM FESTIVAL 2021
SEASON 10 PREVIEW (CLICK ON VIDEO)
May Online Festival - Films Available Now, Free and On-Demand 5/7-5/12! Watch over 25 films free and on-demand.
WUFF -- like the DC Labor FilmFest -- is part of the Global Labor Film Festival Network.
[link removed]
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IDA B. WELLS: A PASSION FOR JUSTICE
Available May 6-June 6 - [link removed] Tickets $5
Watch anytime starting 5/6 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Recognized in 2020 with a special Pulitzer Prize, Ida B. Wells was a household name in Black America during much of her lifetime (1862-1931) and she was considered the equal of her well-known African American contemporaries such as Booker T. Washington and W. E. B. Du Bois. Emmy Award®-winning filmmaker William Greaves' (SYMBIOPSYCHOTAXIPLASM: TAKE ONE) IDA B. WELLS: A PASSION FOR JUSTICE documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. The words of Wells are brought to life in the film through the performance of Nobel Prize-winning author Toni Morrison as she reads selections from Wells' memoir, "Crusade for Justice," and other writings. (Note adapted from California Newsreel.) DIR/SCR/PROD William Greaves. U.S., 1989, color/b&w, 53 min. NOT RATED
[link removed]
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THE LUNCHROOM [PLANTA PERMANENTE]
Available May 4-June 6 [link removed] Tickets $5
Watch anytime starting 5/4 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Lila (Liliana Juárez, THE SNATCH THIEF) has been a cleaner in a provincial municipality building in Argentina for more than 30 years. She's an important figure in the office's carefully knit society because of the unofficial staff cafeteria, which she runs, together with her friend Marcela (Rosario Bléfari, SILVIA PRIETO). When Lila gets the opportunity to refurbish the lunchroom and run it officially as the boss, this sudden elevation of her status incites Marcela's envy and starts a slow decay of the office's delicate status quo. (.) Winner, Best Actress (Liliana Juárez), 2019 Mar del Plata Film Festival. DIR/SCR Ezequiel Radusky; SCR/PROD Diego Lerman; PROD Nicolás Avruj. Argentina/Uruguay, 2019, color, 86 min. In Spanish with English subtitles. NOT RATED
Note adapted from New Europe Film Sales
[link removed]
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WORK SONGS
Available April 30-June 6 [link removed] Tickets $12
Watch anytime starting 4/30 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP.
- "What's the weirdest thing that ever happened at your job?" Inspired by the writing of the great Studs Terkel, filmmaker Mark Street interviews cab drivers, longshorewomen, a farmer, a barista and others, from California to New York. What emerges is a kaleidoscopic portrait of the United States at work and of workers' concerns about automation, the gig economy and the decline of unions. (.) Official Selection, 2020 Beloit International Film Festival. DIR/SCR/PROD Mark Street. U.S., 2019, color, 68 min. NOT RATED
Note adapted from Argot Pictures
The 2021 DC Labor FilmFest is presented by
the Metro Washington Council AFL-CIO and the American Film Institute's Silver Theatre and Cultural Center.
PREMIERE SPONSORS: [link removed] American Income Life * IFPTE * NNU
Material published in UNION CITY may be freely reproduced by any recipient; please credit Union City as the source for all news items and www.unionist.com as the source for Today's Labor History.
Published by the Metropolitan Washington Council, an AFL-CIO "Union City" Central Labor Council whose 200 affiliated union locals represent 150,000 area union members. DYANA FORESTER, PRESIDENT.
Story suggestions, event announcements, campaign reports, Letters to the Editor and other material are welcome, subject to editing for clarity and space; just click on the mail icon below. You can also reach us on Facebook and Twitter by clicking on those icons.
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To view our Privacy Policy: [link removed]
[link removed]
THE CHAMBERMAID [LA CAMARISTA]
MISS MARX
WORKERS UNITE! FILM FESTIVAL 2021
IDA B. WELLS: A PASSION FOR JUSTICE
THE LUNCHROOM [PLANTA PERMANENTE]
WORK SONGS
2021 DC Labor FilmFest: The Chambermaid opens today!
"The Chambermaid," Lila Avilés's quietly stunning debut feature, is a work of closely observed workplace realism, but at times it achieves the strangeness and intensity of science fiction. The camera never leaves the high-rise Mexico City hotel where the title character is employed, and in spite of spectacular views from the picture windows, the building can feel as claustrophobic and isolated as a space station drifting in a distant galaxy. Read the rest of the NYT review [link removed] here and [link removed]]=true click here to get your ticket! [link removed]]=true [link removed]
LGTTM Movie Club Discussion: Join the conversation tonight about this week's DC Labor FilmFest movies -- Miss Marx and The Chambermaid -- or any of those already released (all still available in the AFI's [link removed] DC Labor FilmFest Virtual Screening Room), at the [link removed] Labor Goes to the Movies podcast Movie Club discussion, Thursday night at 7p ET; [link removed] click here to RSVP.
Chris Garlock, Director, DC Labor FilmFest
[link removed]
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THE CHAMBERMAID [LA CAMARISTA]
Available May 13-June 6 - [link removed] Tickets $5
Watch anytime starting 5/13 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
In her multi-award-winning feature debut, theater director Lila Avilés turns the monotonous workday of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film rich with detail. Set entirely in an alienating hotel environment with extended scenes taking place in the guest rooms, hallways and cleaning facilities, this minimalist-yet-sumptuous movie brings to the fore Eve's hopes, dreams and desires. As with Alfonso Cuarón's ROMA, which is set in the same city, THE CHAMBERMAID salutes the invisible women caretakers who are the hardworking backbone of society. Winner, Best First Feature, 2019 Ariel Awards; Winner, Best First Work, 2019 Havana Film Festival; Winner, Jury Prize, 2018 Marrakech International Film Festival; Winner, Best Mexican Feature Film, 2018 Morelia International Film Festival; Winner, Cine Latino Award, 2018 Palm Springs International Film Festival; Winner, Best New Director, 2018 Portland International Film Festival; Winner, Golden Gate Award, 2018 San Francisco International Film Festival; Official Selection, 2018 San Sebastián, Toronto, London and AFI FEST film festivals; 2019 New Directors/New Films and AFI Latin American Film Festival. DIR/SCR/PROD Lila Avilés; SCR Juan Carlos Marquéz; PROD Tatiana Graullera. Mexico/U.S., 2018, color, 102 min. In Spanish with English subtitles. NOT RATED
[link removed]
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MISS MARX
Available May 11-June 6 - [link removed] Tickets $5
Watch anytime starting 5/11 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Bright, intelligent, passionate and free, Eleanor (Romola Garai) is Karl Marx's youngest daughter. Among the first women to link the themes of feminism and socialism, she takes part in the workers' battles and fights for women's rights and the abolition of child labor. In 1883, she meets Edward Aveling (Patrick Kennedy) and her life is crushed by a passionate, but tragic, love story. (Note adapted from Celluloid Dreams.) Winner, FEDIC Award for Best Film, 2020 Venice Film Festival. DIR/SCR Susanna Nicchiarelli; PROD Marta Donzelli, Gregorio Paonessa. Italy/Belgium, 2020, color, 107 min. In English. NOT RATED
[link removed]
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WORKERS UNITE! FILM FESTIVAL 2021
SEASON 10 PREVIEW (CLICK ON VIDEO)
May Online Festival - Films Available Now, Free and On-Demand 5/7-5/12! Watch over 25 films free and on-demand.
WUFF -- like the DC Labor FilmFest -- is part of the Global Labor Film Festival Network.
[link removed]
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IDA B. WELLS: A PASSION FOR JUSTICE
Available May 6-June 6 - [link removed] Tickets $5
Watch anytime starting 5/6 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Recognized in 2020 with a special Pulitzer Prize, Ida B. Wells was a household name in Black America during much of her lifetime (1862-1931) and she was considered the equal of her well-known African American contemporaries such as Booker T. Washington and W. E. B. Du Bois. Emmy Award®-winning filmmaker William Greaves' (SYMBIOPSYCHOTAXIPLASM: TAKE ONE) IDA B. WELLS: A PASSION FOR JUSTICE documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. The words of Wells are brought to life in the film through the performance of Nobel Prize-winning author Toni Morrison as she reads selections from Wells' memoir, "Crusade for Justice," and other writings. (Note adapted from California Newsreel.) DIR/SCR/PROD William Greaves. U.S., 1989, color/b&w, 53 min. NOT RATED
[link removed]
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THE LUNCHROOM [PLANTA PERMANENTE]
Available May 4-June 6 [link removed] Tickets $5
Watch anytime starting 5/4 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP
Lila (Liliana Juárez, THE SNATCH THIEF) has been a cleaner in a provincial municipality building in Argentina for more than 30 years. She's an important figure in the office's carefully knit society because of the unofficial staff cafeteria, which she runs, together with her friend Marcela (Rosario Bléfari, SILVIA PRIETO). When Lila gets the opportunity to refurbish the lunchroom and run it officially as the boss, this sudden elevation of her status incites Marcela's envy and starts a slow decay of the office's delicate status quo. (.) Winner, Best Actress (Liliana Juárez), 2019 Mar del Plata Film Festival. DIR/SCR Ezequiel Radusky; SCR/PROD Diego Lerman; PROD Nicolás Avruj. Argentina/Uruguay, 2019, color, 86 min. In Spanish with English subtitles. NOT RATED
Note adapted from New Europe Film Sales
[link removed]
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WORK SONGS
Available April 30-June 6 [link removed] Tickets $12
Watch anytime starting 4/30 and join us In the LABOR GOES TO THE MOVIES podcast Movie Club discussions Thursdays at 7p! [link removed] Click here to RSVP.
- "What's the weirdest thing that ever happened at your job?" Inspired by the writing of the great Studs Terkel, filmmaker Mark Street interviews cab drivers, longshorewomen, a farmer, a barista and others, from California to New York. What emerges is a kaleidoscopic portrait of the United States at work and of workers' concerns about automation, the gig economy and the decline of unions. (.) Official Selection, 2020 Beloit International Film Festival. DIR/SCR/PROD Mark Street. U.S., 2019, color, 68 min. NOT RATED
Note adapted from Argot Pictures
The 2021 DC Labor FilmFest is presented by
the Metro Washington Council AFL-CIO and the American Film Institute's Silver Theatre and Cultural Center.
PREMIERE SPONSORS: [link removed] American Income Life * IFPTE * NNU
Material published in UNION CITY may be freely reproduced by any recipient; please credit Union City as the source for all news items and www.unionist.com as the source for Today's Labor History.
Published by the Metropolitan Washington Council, an AFL-CIO "Union City" Central Labor Council whose 200 affiliated union locals represent 150,000 area union members. DYANA FORESTER, PRESIDENT.
Story suggestions, event announcements, campaign reports, Letters to the Editor and other material are welcome, subject to editing for clarity and space; just click on the mail icon below. You can also reach us on Facebook and Twitter by clicking on those icons.
[link removed]
[link removed]
[link removed]
mailto:[email protected]
[link removed]
You are receiving this email because our records indicate that [link removed] [email protected] signed up to receive this newsletter. Click here to [link removed] edit your subscription preferences
To view our Privacy Policy: [link removed]
Message Analysis
- Sender: Metro Washington Council AFL-CIO
- Political Party: n/a
- Country: United States
- State/Locality: Washington, DC
- Office: n/a