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Photojournalist Amanda Rossmann edits video footage for the documentary '2020: The Year That Revealed Us' while working from the Cincinnati Enquirer office. (Photo by Meg Vogel/Cincinnati Enquirer)
Last year, journalists at The Cincinnati Enquirer wanted to document the big picture of the pandemic. They had no idea just how big that picture would get. Like all of us, they were living it one day, and one story, at a time.
Journalists followed Nina Salzman, a 7-year-old suddenly going to school at her dining room table; Donna Kinney, a cancer survivor who lived alone and wrote letters to stay in touch; the Rev. Damon Lynch Jr. and other faith leaders working to connect with their communities in dark times, and so many others.
It’s easy to forget how life pivots around small things, said Amy Wilson, Enquirer Media’s storytelling coach. But last year, at a time when we were all stuck in our own little worlds, “it was good to see all the other little worlds.”
At the end of last year, the Enquirer published “Holding On” ([link removed]) , a narrative, and “2020: The year that revealed us,” ([link removed]) a 50-minute documentary. They weave together all those small worlds as the world itself shut down and changed with the pandemic.
Twenty-five reporters and photographers worked on it.
I spoke with the core team behind it in January, a few days after the insurrection at the Capitol and have been trying to get to this story since. As more people get vaccinated and the world slowly opens up, it feels like a good time to see how one newsroom captured a year we might want to forget, but owe it to each other and the people we lost not to.
Photojournalist Liz Dufour takes photos at TriHealth Good Samaritan Hospital, in April, 2020. (Photo by Meg Vogel/Cincinnati Enquirer)
What felt like a project that might last a few months turned into nine months of work. And that work went from collecting people’s stories in words, photos and videos to figuring out how they all fit together. It wasn’t just about the pandemic, said Dan Horn, a storytelling reporter, but Black Lives Matter protests, politics and the presidential election.
As they collected stories from people’s lives, the team struggled to find a unifying idea, until they realized that each person they interviewed had something they held on to — a locket that reminded a medical assistant of the parent she lost to the pandemic; the quarantined friends a 7-year-old ached for; the badge a Black female police officer wore with her riot gear at the protests; the fraught baseball season for a Cincinnati Reds player.
The journalists who worked on “Holding On” found their sources from work they’d already done and were doing in their community, with sources they’d already built up connections with.
“We were already covering events and stories,” said Amanda Rossmann, a photojournalist. “It was easier to bring it all together because we were already there.”
Photojournalist Cara Owsley covers a protest in Cincinnati. (Photo by Albert Cesare/Cincinnati Enquirer)
As people worked remotely and found new ways to cover their community amid a pandemic, the project was also an opportunity to relearn how they work, said Meg Vogel, a staff photographer, and how they could tell people’s stories, from Zooms to social distance to disposable cameras.
The stories in “Holding On” are both universal, Horn said, and show how people dealt with 2020 in their own ways. They also show that, even when we’re not united, “we all are in this together for better or worse, and I think this is a reminder of that if nothing else."
The pandemic “brought us closer together with what matters and what readers are curious about,” Rossmann said.
Vogel agreed, quoting from the name of the documentary ([link removed]) .
“This is the year that revealed us.”
Photojournalist Albert Cesare covers a protest in Cincinnati, in late May. It was the third night of protests in response to the death of George Floyd in Minneapolis. (Photo by Meg Vogel/Cincinnati Enquirer)
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While you’re here:
* Next week, as part of Recovering the News, I’m starting a monthlong series on what newsrooms can and should look like when we return to them. Next Wednesday, please join my colleague Joie Chen for a free 45-minute On Poynt ([link removed]) on what we’ve lost and gained from a year working from home.
* Taylor Blatchford has a great resource with 25 places to find journalism jobs and internships ([link removed]) .
* You have until April 7 to apply for a 2021-2022 Rosalynn Carter Fellowship for Mental Health Journalism ([link removed]) .
* Read KPCC’s Ashley Alvarado on “the unglamorous reality of community engagement and why it’s totally worth it.” ([link removed])
* My colleague Amaris Castillo wrote about new story opportunities for local journalism after historic cannabis legislation in New Jersey ([link removed]) .
* Read Better News on how KXLY-TV reached a targeted audience with a hand-crafted newsletter ([link removed]) .
* I wrote about McClatchy’s latest round of layoffs ([link removed]) .
* Remember Al Smith, “who co-founded the Institute for Rural Journalism and Community Issues and left a broad legacy.” ([link removed])
* The AP reports that Indian Country Today is now an independent company ([link removed]) .
* My colleague Angela Fu wrote about The Trace’s partnership with Billy Penn to connect the victims of gun violence to resources that can help them ([link removed]) .
* Join me, Julia B. Chan, Mira Lowe and Paul Cheung today at 1 p.m. ET for “Journalism and cultural literacy: addressing racial blind spots in news.” ([link removed])
* This week, I wrote an obit for the Tampa Bay Times on a woman who was a pioneer in polymer chemistry ([link removed]) and in my obits newsletter, wrote about finding people to act as translators to help me understand her amazing career ([link removed]) .
That’s it for me. This week my 13-year-old went back to school in person for the first time in a year, so I wish you a quiet place to work for as long as you can get it.
Kristen
Kristen Hare
Editor, Locally
The Poynter Institute
@kristenhare ([link removed])
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