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Check Out Books Reviewed in the November/December Washington Report Issue

Read Walter Hixson's Review

This collection uses the controversies surrounding the Israeli-Palestinian conflict as a means of exploring the limits placed on academic freedom in a variety of different national contexts. It looks at how the increased neoliberalization of higher education has shaped the current climate, and considers how academics and their universities should respond to these new threats. Bringing together new and established scholars from Palestine and the wider Middle East as well as the U.S. and Europe, Enforcing Silence shows us how we can and must defend our universities as places for critical thinking and free expression.


Ilhan Omar was only eight years old when war broke out in Somalia. She was being raised by her father and grandfather when armed gunmen attacked their compound and the family decided to flee Mogadishu. They ended up in a refugee camp in Kenya. Four years later, after a painstaking vetting process, her family achieved refugee status and arrived in Arlington, Virginia.

This is What America Looks Like is both the inspiring coming of age story of a refugee and a multidimensional tale of the hopes and aspirations, disappointments and failures, successes, sacrifices and surprises, of a devoted public servant with unshakable faith in the promise of America. 

Meet the people of Cairo’s Gamaliya quarter. There is Nabqa, son of Adam the water seller who can only speak truths; the beautiful and talented Tawhida who does not age with time; Ali Zaidan, the gambler, late to love; and Boss Saqr who stashes his money above the bath. A neighborhood of demons, dancing and sweet halva, the quarter keeps quiet vigil over the secrets of all who live there.

This collection by pre-eminent Egyptian writer Naguib Mahfouz was recently discovered among his old papers. Found with a slip of paper titled ‘for publishing 1994’, they are published here for the first time. Resplendent with Mahfouz’s delicate and poignant observations of everyday happenings, these lively stories take the reader deep into the beating heart of Cairo.


Mats Svensson is a photographer who took 60,000 photos in the occupied Palestinian territories over several years and winnowed them down to the 92 perceptive, nuanced, and ultimately heart-rending images in this volume. 

Svensson shows us occupation, expropriation, arrest, and immense concrete barriers encroaching on daily life and asks us to come to our own conclusions. Americans will recognize this use of photos and words in the long tradition of politically committed photojournalists such as Walker Evans and James Agee who depicted the “dispossessed of the earth” in the American south at the depths of the Great Depression in their classic, Let Us Now Praise Famous Men.


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