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Milad, a delicate baker married to his love Zainab, adores making bread. He just wants to bake artisanal ciabatta in his tidy home in 1980s Tripoli, Libya and clean in domestic bliss for his lovely wife. Is that too much to ask? Most of the women in Milad’s life admire him for being himself, but, tragically, most of the men try to shape Milad like a loaf of French fougasse into the opposite of what women admire.
Ultimately, Milad joins the military, and it haunts him for decades. In the military, the main officer calls him “Doughboy.” His fragile spirit can only take so much pressure. Event upon event unravels Milad’s normally dogged sense of self, leading to disastrous consequences.
Bread on Uncle Milad’s Table is a masterful and beautifully told warning against society’s rejection of individuality. While it is in many ways a eulogy of a sensitive young man’s spirit that he was told to squash, it is also an indictment of that same man.
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