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In
Paul Feig’s latest film, The Housemaid, we’re asked to believe a
sane housewife looked at Sydney Sweeney, with all her Botticellian beauty
and statuesque allure (and great jeans, of course), and decided the best
thing for her marriage was to move her into the guest room. This is the
premise on which The Housemaid is built. It’s […]
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