In My Eyes: Photographs 1982–1997 is a 332-page, art-quality collection of iconic and never-before-seen images documenting the D.C. punk scene and beyond. | | Plaster tells the story of founding Dr. Strange Records while navigating personal struggles, set against the vibrant early ’80s Southern California punk scene. | | A lyrical graphic memoir of a late-1990s cross-country bike trip, Hot Dog Diary captures friendship, fleeting Americana, and the passage of time through exquisitely observed, haiku-like comics and reflections from two decades later. | | Blends memoir and oral history to show how punk rock offers catharsis, community, and alternative paths to healing for those navigating trauma, mental illness, and marginalization. | | Understanding distress beyond biomedical models, reframing mental health through social, historical, and decolonial lenses, and envisioning holistic, liberatory paths toward personal and collective healing. | | 20 interviews with current and former editors of zines. This is a volume that celebrates amateurism, and will be cherished by those who favour the local over the global, the home-made over the mass-produced, and Melody Dog over Ed Sheeran. | | Rare and previously unpublished essays and interviews revealing the anarchist principles that have guided Chomsky since his youth. | | Silvia Federici reveals how controlling women’s bodies and labor was as essential to capitalism’s rise as land enclosures, colonization, and slavery. | | |
A vital resource for understanding and dismantling intersecting systems of oppression today.
| | How plant medicines can serve as tools for survival, healing, and resistance against state violence, drawing on global examples of herbal solidarity. | | This practical herbal guide, created for prisoners, details the medicinal and edible uses of plants found in prison courtyards and everyday canteen items. | | A collection of reminiscences and personal stories richly illustrated by photos, gig posters, press clippings and ephemera from the time. Includes photos of Chumbawamba, Blood Robots, Passion Killers, Alternative, and others, | | This 300-page, full-color volume documents the history of Harlan County, Kentucky’s coal wars and the exploitative scrip system that kept miners in poverty. | | Epic portrayal of the Great Lakes’ indigenous communities’ struggle and destruction under conquest, colonialism, and capitalism, weaving history, anti-history, and family saga. | | A global survey of over 750 vinyl labels whose music fueled and reflected political movements, charting the intertwined histories of social struggles and the record industry. | | This 434-page collection brings together essays from around the world exploring the complex, enduring relationship between punk and anarchism, documenting how anarchist punk has fueled diverse struggles. | | I Will Do My Worst collects and contextualizes Roberto Ambrosoli’s iconic 1967 anarchist comic character, preserving his irreverent illustrations and the struggles they emerged from for an English-speaking audience. | | Brings together the art and shared vision of the Black Panthers and the Zapatistas, blending interviews, original documents, and bold aesthetics to explore the role of culture in struggles against racism, colonialism, and capitalism. | | Socrates the Skinhead: The Life of a Russian Antifascist is a collection of memory and memoirs revolving around Aleksei Sutuga, a Russian antifascist and anarchist. | | It's Alphabetic Anarchy! The only ABCs of anarchy book suitable for children of all ages. Infants will love the imagery, toddlers will thrive on learning the alphabet, and preschoolers will soak up the content while learning to read. | | FAST FEMINISM is a new-old feminism grounded in politics, performance and philosophy. It is in close proximity to postfeminisms of the poststructuralist variety—third-wave feminism, queer feminism, cyberfeminism and feminism 3.0. | | |
In the 1960s and ’70s, anarchism jumped from underground circles to the shelves in cheap, mass market paperbacks. Josh MacPhee digs into the covers of those books, unpacking how publishers tried, and often failed, to visually represent a politics they barely understood.
| | B Ashanti Alston and William C. Anderson discuss how they came to (black) anarchism, the shortcomings of falling into problematic organizational forms over and over again, the need to evolve and try new things, finding hope and happiness, the interplay of theory and action, and the reality and necessity of support for political prisoners. | | Lorenzo Kom'boa Ervin, JoNina Abron-Ervin and Modibo Kadalie discuss how they came to black anarchism, what anarchy means to them, revolutionary literature, how black and/or anarchist "leaders" lead movements astray, gender in the Black Power movement, and nonprofits. | | Conviviality and Political Resistance From below: Ivan Illich's Legacy in Mexico is not simply about translating words from Spanish into English: it is about making audible a different grammar of thought. One born not in the corridors of power but in community kitchens, autonomous monasteries, abandoned schools. | | |
The ever-prophetic Critical Art Ensemble confronts the rise of Christian nationalism and other forms of "pathological unreality" as a political and metaphysical crisis threatening to pull the world into a horrific and totalitarian delusion.
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These texts reproduced inside demonstrate the refusal of green capitalism, but also the popular political division between fossil fuels and so-called renewable energy nurtured by politicians, company public relations and theorists of the narrow minded “fossil capital.”
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Sign up this month to get three great new books (below) plus the ALWAYS ANTIFASCIST – NO PASARÁN Football Scarf as a FREE gift in your first package. This double-sided football scarf is a benefit for The International Anti-Fascist Defence Fund which provides emergency support to anti-fascists.
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