There are nightmares that jolt you awake—and then there are the ones you never escape.
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The Fire You Can’t Wake From

There are nightmares that jolt you awake—and then there are the ones you never escape.

Martin Mawyer
Oct 14
 
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Dream Theater’s video “Bend the Clock” from their Parasomnia album

Picture this: a man stands before a burning forest. The sky glows orange, the air crackles, and in that unbearable light, he sees two faces—a young girl and an older one—staring back at him with accusation, not fear.

He knows why they’re there. He lit the match.

It’s the perfect image of guilt: the crime you can’t undo replaying itself forever.

That scene isn’t from a sermon or a courtroom testimony. It’s from a music video—one most people will never watch.

The progressive-rock band Dream Theater released a song called “Bend the Clock.”

And in seven haunting minutes, they captured what theologians and philosophers have struggled to describe for centuries: the torment of a conscience that can’t stop replaying its sin.

The song’s refrain pleads,

“If I could bend the clock, the passageway of time, leave it all behind.”

It isn’t just insomnia. It’s damnation. The man can’t move, can’t breathe, can’t change what’s been done. Time itself has become his judge—an endless midnight that forces him to relive the moment he destroyed innocent lives.

Some will say it’s about sleep paralysis. Maybe. But the deeper story is spiritual paralysis—the kind that chains a man to the moment he traded innocence for destruction.

The burning forest becomes his personal purgatory, the two girls his eternal witnesses.

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Dream Theater may not top pop charts, but what they’ve built here is a parable: fire as sin, time as punishment, guilt as the great equalizer.

It’s Train of Thought—pun intended—for anyone who’s ever wished they could turn back the clock and found that the clock bends them instead.

There’s a moral here that no politician or psychiatrist can erase:

You can suppress conscience, medicate it, distract it—but you can’t silence it.

The conscience, left to itself, is a perfect jailer.

Conscience knows every failure, every spark that started a fire, and it won’t let you forget. The guilty man in that video could twist every clock on earth, but he’ll never escape the one ticking inside his soul.

Unless.

Unless there’s Someone who can bend time itself—not to erase what happened, but to redeem it.

That’s the miracle of the cross. Christ entered history to do what no man can: break the chain of guilt by taking its weight upon Himself.

As Scripture says:

“Therefore there is now no condemnation for those who are in Christ Jesus” (Romans 8:1).

And again:

“If we confess our sins, He is faithful and just to forgive us our sins and to cleanse us from all unrighteousness” (1 John 1:9).

Guilt is the chain; redemption is its weakest link. The fire that once destroyed becomes the light that guides you home.

And perhaps that’s what true art does — it draws us toward the eternal.

Epilogue

Dream Theater and the Divine Shape of Art

Dream Theater should be the very definition of the word art.

Because art isn’t the landscaped painting or the masterful stroke or the perfectly resolved chord.

Art is the miracle of an image—an idea—that provokes the soul to discover a truth it didn’t know was waiting there.

Every listener who enters a Dream Theater song doesn’t just hear sound; they experience revelation. The truth that emerges may differ for each of us, but it’s real—an enlightened truth born from somewhere deeper than intellect.

That’s the wonder of what God placed in the human soul.

Music, when honest, acts like a divine excavation tool. It digs beneath logic and defense and unearths what we were meant to remember all along: that beauty and conviction are two sides of the same sacred coin.

Dream Theater’s music does exactly that.

It moves through time signatures and key changes the way Scripture moves through lament and joy—never linear, never predictable, always redemptive.

Their sound becomes a metaphor for God’s own artistry: structured chaos revealing hidden order.

Maybe that’s why their songs hit so hard for those who really listen. Art isn’t meant to decorate life—it’s meant to illuminate it, the way God’s own Word turns darkness into light.

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Martin Mawyer is the President of Christian Action Network, host of the “Shout Out Patriots” podcast, and author of When Evil Stops Hiding. Subscribe for more action alerts, cultural commentary, and real-world campaigns defending faith, family, and freedom.

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© 2025 Martin Mawyer
PO Box 606, Forest, VA 24551
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