View online | Unsubscribe (one-click).
For inquiries/unsubscribe issues, Contact Us


?
Learn more about Jeeng

?
Learn more about Jeeng

?
Learn more about Jeeng

?
Learn more about Jeeng
?
?
Learn more about Jeeng













You Might Like
? ?
?
Learn more about RevenueStripe...

?
Learn more about RevenueStripe...


?
Learn more about RevenueStripe...

?
Learn more about RevenueStripe...

?
Learn more about RevenueStripe...

?
Learn more about RevenueStripe...

?
Learn more about RevenueStripe...













Want to accelerate software development at your company? See how we can help.
Want to accelerate software development at your company? See how we can help.




Want to accelerate software development at your company? See how we can help.
Want to accelerate software development at your company? See how we can help.




Want to accelerate software development at your company? See how we can help.





A Must-See Comedy About Miserable People Looking for Love - The Atlantic   

Fallen Leaves, which follows two people trying to survive the modern world, is one of the year’s best films.

Ansa, the taciturn protagonist of Fallen Leaves, lives a rather gloomy existence. She works at a supermarket in Helsinki, Finland, stocking shelves and monotonously pricing items under a security guard’s brooding eye. She trudges home every night to a small apartment, listening to bleak radio reports about the Russia-Ukraine war just across the border. In the film’s opening scene, she microwaves a dinner she takes home from work, gives it one look, and throws it in the garbage, uneaten. Her name, literally translated from Finnish, means “trap”—as in, she’s trapped by her life.

But did I mention that this film is one of the funniest, most winning comedies of the year? Fallen Leaves is the latest work from the Finnish writer and director Aki Kaurismäki, who channels his country’s dry and mordant outlook on life into quietly uproarious material. Many of his films are social satires: His 2002 masterpiece The Man Without a Past was a look at life among Helsinki’s homeless, while 2011’s Le Havre and 2017’s The Other Side of Hope examined Europe’s ongoing refugee crisis. But Kaurismäki always makes his bigger points slyly, weaving them into tragicomic tales of regular people struggling to carve out an existence—people like Ansa (played by Alma Pöysti), who indeed seems stuck even after she meets Holappa (Jussi Vatanen), another wayward soul in search of connection.

Continued here





You are receiving this mailer as a TradeBriefs subscriber.
We fight fake/biased news through human curation & independent editorials.
Your support of ads like these makes it possible. Alternatively, get TradeBriefs Premium (ad-free) for only $2/month
If you still wish to unsubscribe, you can unsubscribe from all our emails here
Our address is 309 Town Center 1, Andheri Kurla Road, Andheri East, Mumbai 400059 - 93544947