Day-to-day reporting about labor disputes typically focuses on the short-term economic impacts of a strike: wages foregone, businesses disrupted, consumers inconvenienced, and the like. So it’s a relief to read Ryan Cooper writing in The American Prospect about a totally different kind of strike impact. Specifically, Cooper argues that the current strikes by actors and writers could effectively save Hollywood from itself by ensuring continuing investments in training and talent development, pushing back against the corporate inclination to sacrifice long-term health to maximize short-term profit. And while this case is especially sharp in an obviously creative industry like the movie business, the same logic applies to UPS drivers, Starbucks baristas, and others on the frontlines of today’s labor struggles: when workers strike back for better pay and more power, they don’t just lift themselves, they lift the whole economy — including their own employers. It’s exactly the kind of heroic twist that would make a great movie script if there was anyone to write it.
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