Oh, one more thing about “Wheel of Fortune”
So did you catch this part of the “Wheel of Fortune” news — that “Wheel” letter-turner Vanna White hasn’t had a raise in 18 years?
Puck’s Matthew Belloni reported that White makes about $3 million per year and has received bonuses over the years, but no actual raises. Sajak, meanwhile, makes five times as much.
Yes, Sajak’s job is a bit harder, so you can see why he makes more. And I can hear some of you saying now, “Give me $3 million a year to touch letters and I’ll be more than happy, even without raises.”
You’re missing the point. First, White does more than touch letters. Much of her work is about promoting the show. She spends as much time on that show — on and off air — as Sajak. Maybe more so. She’s every bit as popular as Sajak. And you’re telling me that Sajak hasn’t had a raise in 18 years? In fact, I’d also be willing to bet that everyone who works on “Wheel,” including the behind-the-scenes folks, has gotten raises over the years.
Look, I get it. If we’re going to argue on behalf of those who should be paid more, we should be doing it for nurses and teachers and social workers, not game show co-hosts. I’m not saying this is the greatest injustice ever.
But it is an example of a woman being treated unfairly in the workplace and of a television company, which has plenty of money, taking advantage of someone they knew wasn’t going to complain for the past 18 years.
Well, until now. White, who has another year left on her contract, has brought in a big-time entertainment lawyer to negotiate a new deal.
Honoring the picket line
White House press secretary Karine Jean-Pierre was supposed to appear on Wednesday’s “The View” on ABC, but canceled because of the Hollywood writers’ strike.
In a statement to The Hollywood Reporter’s Alex Weprin, the White House said, “Out of respect for striking writers, we pulled down our scheduled appearance on The View. President Biden and his entire administration sincerely hope that the writers’ strike gets resolved — and writers are given the fair deal they deserve — as soon as possible.”
The Hollywood Reporter reported recently that “The View” has “a couple” of writers who belong to the Writers Guild of America. The show is largely unscripted with panel discussions and interviews.
Staying focused
Washington Post sports columnist Sally Jenkins is the guest on the latest episode of Jeff Pearlman’s podcast, “Two Writers Slinging Yang.”
If you read this newsletter often, you know that I’m a huge fan of Jenkins’ work, and she shared with Pearlman one of the secrets to her writing. I found this to be incredibly interesting. She said:
“I have two laptops. I just got a new one. And I’m going to do the same thing with this new one that I did (with the old one). I took my personal laptop into the tech shop and I said, ‘I’m going to hand this to you. I want you to break my browser. I’m going to turn my back and I want you to break my browser. And I don’t want to know how to fix it.’ And so they did that for me and I take that laptop to the library and I write with no browser.”
It’s Jenkins’ way of disconnecting and not getting distracted from writing by looking at Twitter or Facebook or surfing the web, even if it’s to look up something for her column.
“You’ll be amazed at how much more productive you are and how much more you get done with your writing,” Jenkins said. “We’re so used to being able to look something up right now. ‘I have to know that stat. I have to know what (Kansas City Chiefs quarterback Patrick) Mahomes' completion percentage was.’ No, you don’t have to know it right then unless you’re literally on a two-hour deadline. You don’t have to know it right now. You can fill it in with an X and look it up later. But you can frame something out and focus and concentrate and write from your head instead of from all this stimulus. So that’s one trick I have.”
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Have feedback or a tip? Email Poynter senior media writer Tom Jones at [email protected].